When
Assessment is Instruction
and Instruction is Assessment:
Using Rubrics to Promote Thinking and Understanding
Heidi
Goodrich Andrade
From: The Project
Zero Classroom: Views on Understanding, eds. Hetland, Lois and
Shirley Veenema. Harvard Graduate School of Education, Cambridge, 1999.
Introduction
Rubrics are excellent assessment tools:
They make assessing student work quick and efficient, and they
help teachers justify to parents and others the grades they assign
to students. I am going to argue, however, that rubrics are just
as interesting in terms of instruction as they are in terms of
assessment. Rubrics, at their very best, are teaching tools that
support student learning and encourage the development of sophisticated
thinking skills.
Rubrics, like portfolios, exhibitions
and other so-called alternative or authentic approaches to assessment,
blur the distinction between instruction and assessment. Rubrics
exist as a complement to instruction. When used correctly, rubrics
serve the purposes of learning as well as of evaluation and accountability.
For this reason, I refer to them as instructional rubrics.
My goal in this article is to convey
the potential of instructional rubrics to teach as well as to evaluate.
I will begin by explaining what instructional rubrics are, then
discuss the ways in which my research suggests that they can be
used to help students learn and develop good habits of thinking.
Finally, I will explain how to create instructional rubrics and
how to use them in the classroom.
What is an Instructional Rubric?
An instructional rubric is usually a
one- or two- page document that describes varying levels of quality,
from excellent to poor, for a specific assignment. An instructional
rubric is usually used with a relatively complex assignment such
as a long-term project, written essay, research paper, and the
like. The purposes of instructional rubrics are both to give students
informative feedback about their works in progress and to give
detailed evaluations of their final products.
Although the format of an instructional
rubric can vary, all rubrics have two features in common: 1) a
list of criteria, or what counts in a project or assignment; and
2) gradations of quality, or descriptions of strong, middling,
and problematic students work (see Figure 2).
GRADUATIONS
OF QUALITY
| Criteria |
4 |
3 |
2 |
1 |
| This
counts |
| This
also |
| This
too |
| Don't
forget this |
Figure
2. Basic features of a rubric
Figure 3 is an
example of an instructional rubric that I have used in seventh-
and eighth-grade humanities and English classes. It is intended
to support students as they write a persuasive essay. The list
of criteria, or what counts, includes the claim made in the essay,
the reasons given in support of the claim, the considerations of
reasons against the claim, organization, voice and tone, word choice,
sentence fluency and conventions. I describe four levels of quality
but do not give them words as labels. In my experience, satisfactory
labels are hard to come by, and it is obvious at a glance that
a 4 is what everyone should be trying to achieve and a 1 is something
to avoid. Some schools indicate a cut-off point by, for instance,
drawing a box around the level that is considered acceptable.
The
instructional rubric in Figure 3 has the two basic components of
a rubric—criteria and gradations of quality. I would also like
to point out a couple of other important features that I will discuss
later in the article. First, please review the second and third
criteria, Reason in Support of the Claim and Reasons Against the
Claim. These two criteria give the rubric an emphasis on good thinking—an
emphasis missing from many rubrics. They not only tell students
that good critical thinking must be demonstrated in their essays,
they also guide them in how (and how not) to do it, making the
rubric serve as an instructional tool as well as an evaluative
one.
The
second feature I'd like to note is the fact that the gradations
of quality describe actual problems that real students run into
as they write, such as not stating their claim early enough for
a reader to understand it (level 2 of the first criterion), and
using the same words over and over (level 1 of the sixth criterion).
A rubric that reflects and reveals problems that students experience
is more informative than one that either describes mistakes they
do not recognize or that defines levels of quality so vaguely as
to be practically meaningless (“poorly organized” or “boring”).
Again, this feature makes the rubric instructive, not just evaluative.
|
Criteria |
4 |
3 |
2 |
1 |
|
The
claim |
I
make a claim and explain why it is controversial. |
I
make a claim but don't explain why it is controversial. |
My
claim is buried, confused and/or unclear. |
I
don't say what my argument or claim is. |
|
Reasons
in support of the claim |
I
give clear and accurate reasons in support of my claim. |
I
give reasons in support of my claim but I overlook important
reasons. |
I
give 1 or 2 weak reasons that don't support my claim, and/or
irrelevant or confusing reasons. |
I
do not acknowledge or discuss the reasons the reasons against
the claim. |
|
Reasons
against the claim |
I
discuss the reasons against my claim and explain why it
is valid anyway. |
I
discuss the reasons against my claim but leave important
reasons out and/or don't explain why the claim still stands. |
I
say that there are reasons against my claim but I don't
discuss them. |
I
do not acknowledge or discuss the reasons against the claims. |
|
Organization |
My
writing has a compelling opening, an informative middle
and a satisfying conclusion. |
My
writing has a beginning, middle and end. |
My
organization is rough but workable. I may sometimes get
off topic. |
My
writing is aimless and disorganized. |
|
Voice & Tone |
It
sounds like I care about my argument. I tell how I think
and feel about it. |
My
tone is OK but my paper could have been written by anyone.
I need to tell more about how I think and feel. |
My
writing is bland or pretentious. There is no hint of a
real person in it, or it sounds like I'm faking it. |
My
writing is too formal or inappropriately informal. It sounds
like I don't like the topic of the essay. |
|
Word
choice |
The
words I use are striking but natural, varied and vivid. |
I
make some fine, some routine word choices. |
The
words I use are often dull or uninspired or I sound like
I am trying too hard to impress. |
I
use the same words over and over and over and over. Some
words may be confusing to a reader. |
|
Sentence
Fluency |
My
sentences are clear, complete and of varying lengths. |
I
have well-constructed sentences. My essay marches along
but doesn't dance. |
My
sentences are often awkward, and/or contain run-ons and
fragments. |
Many
run-ons, fragments and awkward phrasings make my essay
hard to read. |
|
Conventions |
I
use correct grammar, punctuation and spelling. |
I
generally use correct conventions. I have a couple of errors
I should fix. |
I
have enough errors in my essay to distract a reader. |
Numerous
errors make my paper hard to read. |
Figure 3. Persuasive
essay instructional rubric
Why Use Instructional
Rubrics?
Rubrics
have become quite popular, a recognizable trend in education. Experienced
teachers, however, have seen numerous trends rise up and fade away
over the years and quite reasonably ask, “Why bother with this
one?” My research and experience provide several answers to that
question.
Instructional
rubrics are easy to use and to explain. In spite of their
versatility and power, rubrics are not difficult to understand.
They make sense to people at a glance, they are visually accessible,
and they are concise and digestible. For these reasons, teachers
like to use them to assess student work, parents appreciate them
when helping their children with homework, and students often
request them when given a new assignment. After handing out a
rubric for one project, a teacher I work with told me that upon
being assigned another project, a student remarked, “You know,
one of those things with the little boxes would be handy right
now.” This is not an uncommon request from students experienced
with rubrics.
Instructrubrics
make teachers' expectations very clear. Traditionally, as
educators we have kept our criteria and standards to ourselves.
The answers to the test were secret, and teachers tended not
to articulate what counted when they gave grades. I often tell
the story of a fifth-grade girl I know who came home with a shockingly
bad report card. Her father, of course, went through the roof.
He said, “Look, you are a smart child, you've always done well
in school. Two weeks ago I asked you how you were doing in school
and you said, ‘Fine, Dad.' How can you say, ‘Fine, Dad,' then
bring home this report card? How do you explain that ?” Sobbing,
the child told him, “Dad, I don't know what the grades count
on.”
At
that point I made an enemy of her father by bursting in and saying,
“You know, she's right. We often expect students to just know what
makes a good essay, a good drawing or a good science project, rather
than articulating our standards for them. If her teacher would
write it all our for her—maybe in the form of a rubric—then she
would know what counts and she'd be able to do better work.” Not
the ideal time to make my point, perhaps, but I was right. That
little girl just needed help figuring out what the grades “count
on.” Some students figure that out on their own, but other students
need to have it written down or otherwise communicated to them.
Instructional rubrics are one way to do that.
Instructional
rubrics provide students with more informative feedback about
their strengths and areas in need of improvement than traditional
forms of assessment. Imagine that you are about to be evaluated
in your job. You have a choice between receiving a letter grade
or a rubric with circles around the boxes that most closely describe
your performance. Which kind of assessment would you choose?
Most people choose the rubric, knowing that it will tell them
a lot more about what they do right and wrong than a simple letter
grade can. The same is true for students: A well-written instructional
rubric—one that describes the kinds of mistakes they tend to
make as well as the ways in which their work shines—gives them
valuable information. Students can learn from an instructional
rubric in a way they cannot learn from a grade.
Instructional
rubrics support learning. A few years ago I conducted an
investigation of the effects of rubrics and self-assessment on
learning and metacognition (the act of monitoring and regulating
one's own thinking). The study involved 40 seventh-grade students
in a classification task. Half the students were given an instructional
rubric and periodically asked to assess their reading comprehension,
the classification system they set up, their explanation of the
system, and so on. The other half of the students were asked
to do the same task but were not given a rubric and were not
asked to assess their progress as they worked.
When
the students had finished the task, I gave each one a traditional
quiz to test for basic content knowledge. The test scores showed
that the students who used the rubric to assess themselves knew
more. This is especially meaningful because I usually spent less
than half an hour with each student, and the task did not emphasize
the memorization of facts. Nonetheless, during that brief time
the students who used the rubric to assess their own progress learned
more information than the students who did not. I was able to conclude
that self-assessment supported by a rubric was related to an increase
in content learning.
Instructional
rubrics can help students become more thoughtful judges of the
quality of their own work. The same study discussed above
also compared students in terms of the amount of metacognition
they demonstrated. By asking students to think aloud as they
worked, I was able to measure the number of times they made metacognitive,
self-evaluative statements such as, “Wait a minute, that doesn't
make sense,” and “Should I try this another way?” and “This is
really hard.” I found that the students who assessed themselves
tended to be more metacognitive, although the only statistically
significant differences were for girls. That means that the differences
in metacognition between the boys who assessed their own work
and the boys who did not could not have occurred by chance, but
the differences between the girls are likely to reflect actual
differences. There are a number of explanations for the gender
differences, but for the purposes of this article the interesting
finding is that self-assessment can support metacognition and
can encourage students to think critically about the quality
of their own thinking and their own work.
Instructional
rubrics support the development of skills. Another study
I conducted looked at the effects of instructional rubrics on
eighth-grade students' writing skills. A treatment group and
a control group each wrote three essays over the course of several
months. The treatment group was given a rubric before they began
writing and the control group was not. The treatment students
tended to receive better scores on two of the three essays. For
one of the essays the differences were statistically significant.
I concluded that simply handing out and explaining a rubric can
help students write better but improvements are not guaranteed—more
intensive work with the rubric is probably necessary in order
to help students perform better consistently.
Instructional
rubrics support the development of understanding. As part
of the same study discussed above, I was also interested in whether
or not students tended to internalize the criteria contained
in the rubrics and thereby develop an understanding of good writing.
I had each student answer the following question a month or two
after writing the third and final essay for this study:
When
your teachers read your essays and papers, how do they decide whether
your
work is excellent (A) or very good (B)?
There
were some striking differences between the treatment and control
groups. Broadly, the control students tended to have a vaguer notion
of how grades were determined:
“Well,
they give us the assignment and they know the qualifications and
if you have all of them you get an A and if you don't you get a
F and so on.”
Note
that this student knows that the teacher has her standards or “qualifications”
but he does not suggest that he himself should know what they are.
The treatment students, however, tended to refer to the rubrics,
“root braks,” or “ruperts” as grading guides and often listed criteria
from the rubrics they had seen:
“The
teacher gives us a paper called a rubric. A rubric is a paper of
information of how to do our essays good to deserve an A. If they
were to give it an A it would have to be well organized, neat,
good spelling, no errors and more important, the accurate information
it gives. For a B it's neat, organized, some errors and pretty
good information but not perfect.”
Another
treatment student wrote:
“An
A would consist of a lot of good expressions and big words. He/she
also uses relevant and rich details and examples. The sentences
are clear, they begin in different ways, some are longer than others,
and no fragments. Has good grammar and spelling. A B would be like
an A but not as much would be on the paper.”
Several
of the criteria referred to by this student are straight from the
rubrics he or she used during the study. I compared the criteria
mentioned by the control students to those mentioned by the treatment
students and found that the control group students tended to mention
fewer and more traditional criteria. Students in the treatment
group tended to mention the same criteria the control group mentioned,
plus a variety of other criteria, often the criteria from the rubrics.
I concluded that instructional rubrics are related to an increase
in students' understandings of the qualities of a good essay.
Instructional
rubrics support good thinking. When I pointed out the two
thinking-centered criteria in the rubric in Figure 3, Reasons
in Support of the Claim and Reasons Against the Claim, I promisto
discuss them further. In the study mentioned above, I had over
100 eighth-grade students write a persuasive essay. Some of the
students got an instructional-rubric similar to the one in Figure
3, some didn't. The rubric included three thinking-centered criterion—considering
the other side of an argument and explaining why your own position
still holds up—is a very sophisticated thinking skill. That kind
of thinking is something adults and students tend not to do.
Rather, we just make an argument, defend it, and hope for the
best. Good thinkers, in contrast, know that they also have to
anticipate the other side of the argument and be prepared to
explain why it doesn't undermine the claim they are making. When
I included that criterion in the rubric for the persuasive essay,
the students who used the rubric tended to consider the reasons
against their claim. I concluded that thinking-centered rubrics
can help children think more intelligently.
In
summary, I have found that instructional rubrics are easy to use,
they clarify teachers' expectations and instructional objectives,
they help provide valuable feedback to students, and they support
learning, thinking, understanding, the development of important
skills, and self-regulation—assuming they are part of an ongoing
process of feedback.
How Do You Make an Instructional
Rubric?
Designing an instructional
rubric is hard. The process I recommend below is the one that works
best for me and the teachers with whom I've worked most closely. It
takes time, though, and if you're anything like me and my teacher colleagues,
you won't do it—not at first anyway. Needing a rubric tomorrow,
you're likely to sit down and try to crank one out. That might work
if you have vast experience with rubric design, but if it doesn't,
don't despair. Take some class time and create a rubric with your students.
Thinking and talking about the qualities of good and poor work on a
project is powerfully instructive. Your students will not only help
you come up with a rubric, they will also learn a lot about the topic
at hand. The following process is likely to be instructional for your
students and to result in a useful rubric.
- Look at Models. Review and discuss examples of good
and poor work on a project like the one your students are about
to undertake. For example, if they are going to give an oral
presentation, show them an excellent presentation—maybe a televised
speech—and a flawed presentation—maybe a videotaped speech from
one of last year's students, if you can get permission to use
it. Ask students what makes the good one good and the weak one
weak. Track their responses during the discussion.
- List Criteria. Tell students that you are going to ask
them to do a similar project and you want to think together about
how it should be assessed. “When I grade your presentations,”
you might ask, “what should I look for? What should count?” Students
will draw on the list generated during the discussion of the
models. Track their ideas under the heading “Criteria” or “What
counts.” When they appear to have run out of ideas, ask them
to think about the less obvious criteria. If they haven't listed
criteria that you think are important, such as thinking-centered
criteria, add them yourself and explain why you think they are
needed. You are the expert, after all. District, state and national
standards are often good resources for thinking-centered criteria.
- Pack and Unpack Criteria. You are likely to end up with
a long list of criteria. Many of the items on the list will be
related or even overlap. After class, take some time to combine
related and overlapping criteria. Avoid creating categories that
are too big, and don't bury criteria you want to emphasize. For
example, if you are assigning a written essay and teaching students
about paragraph format, you may want to assign it a separate
criterion.
- Articulate Levels of Quality. Drawing again on students'
comments during the discussion of good and poor models, sketch
out four levels of quality for each criterion. You might try
a technique I learned from a teacher in Gloucester, Massachusetts.
I call it “yes/yes but/no but/no.” Try using those four terms
as sentence stems. For example, if the criterion is “Briefly
summarize the plot of the story,” level 4 would be, “Yes, I briefly
summarized the plot,” level 3 would be “Yes, I summarized the
plot but I also included some included some unnecessary details
or left out key information,” level 2 would be, “No, I didn't
summarize the plot but I did include some details from the story,”
and level 1 would be, “No, I didn't summarize the plot.” Don't
worry about getting it exactly right at this point; just capture
some of language describing strong work and the problems students
typically encounter. Ask students to tell you about the kind
of mistakes they have made in the past.
- Create a Draft Rubric. After class, write up a draft
rubric that includes the list of criteria you generated with
your class and expands on the levels of quality language. Don't
get too attached to this draft—you are likely to revise it more
than once.
- Revise the Draft. Show the draft to your students and
ask them for their comments. They will probably ask you to make
a few revisions.
After revision,
the rubric is ready to use. Hand it out with the assignment and have
students use it for self-assessment and peer assessment of the first
and second drafts of their projects, respectively. It is also very
important that you use the rubric to assign grades. Rubrics are relatively
easy to translate into grades. Simply circle the most appropriate level
of quality for each criterion and average them by adding the scores
and dividing by the number of criteria. If an essay receives an average
of 2.8 on a 4-point scale, that generally translates into a letter
grade of B-. If you use numerical grades, simply change the 4s, 3s,
2s, and 1s into the number that represents the middle of the range
for a grade (an A=93, a B=86, etc.), then average the scores and assign
a number grade accordingly.
How Do You Use Instructional Rubrics to Support
Thinking and Learning?
In an earlier section
of this article, I wrote, “Simply handing out and
explaining a rubric can help students write better
but improvements are not guaranteed—more intensive
work with a rubric is probably necessary in order
to help students to perform better consistently.”
In response to the mixed but encouraging research
findings that prompted that statement, I worked
with a talented teacher in San Diego, Ann Gramm,
to develop a process of student self-assessment.
The process involves students in using an instructional
rubric to take an honest, critical look at their
own work.
I included both seventh-
and eighth-grade students in the self-assessment
study. I gave both the treatment and control groups
an instructional rubric along with their essay
assignment. Only the treatment classes, however,
were given self-assessment lessons. During the
lessons, the students looked at the rubric, looked
at their work, and identified the material in their
work that showed that they had attended to the
criteria in the rubric. For example, we had students
write an historical fiction essay. One of the criteria
was, Bring the Time and Place your Character Lived
Alive. During the self-assessment lesson I said,
“Take a green marker and underline the words ‘time
and place' in your rubric. Now use the same marker
to underline in your essay the places where you
give your reader information about the time and
place in which your character lived.” Confident
that this would only take a second, students turned
to their essays with their green markers at the
ready—and often couldn't find the information they
were looking for. To their amazement, it was not
in there. Apparently, because the information is
in their heads they think it is also on their paper.
This process of self-assessment had them actually
look and see what was and wasn't there.
We went through this
process with every criterion on their rubric and
different colored markers, and, as far as I ctell,
it was quite an eye opener for students. Preliminary
results from the data analyses also suggest that
the self-assessment process had a positive effect
on the writing of many students, especially girls.
I recommend including some sort of careful, specific
self-assessment technique in any process of ongoing
assessment, especially those supported by instructional
rubrics.
Conclusion
A teacher recently told
me after a workshop, “I previously found rubrics
to be very unspecific, time consuming and an annoyance
to assessment. I now like rubrics and am kind of
excited about using a few.” I hope you too feel
motivated and able to design and use instructional
rubrics with your students. I also hope that you
will go beyond the most basic application of rubrics
by including students in the design of your rubrics,
by seeking out and including thinking-centered
criteria, and by engaging students in serious self-
and peer assessment. I think you will find that
blurring the distinction between instruction and
assessment has a powerful effect on your teaching
and, in turn, on your students.
Heidi Goodrich Andrade's
research centers on assessment. Her focus in
this article is rubrics—matrices that define
and describe levels of what counts in student
work. While many educators appreciate rubrics
for the clarity they offer to evaluation, Heidi
emphasizes ways to design and use rubrics as
tools to improve learning—what she calls “instructional
rubrics.” In this article, she presents a way
to bring students into the process of creating
rubrics and ways her research has shown that
rubrics affect learning. As part of a process
of ongoing assessment, rubrics can contribute
in important ways to students' developing understanding
and thinking skills.
|