It is one of the oldest literary collections ever written and still very much in circulation. Public readings (and celebrations) of its text are practiced in nearly every synagogue in the world in a regular, fixed cycle. It has been analyzed and studied by religious luminaries, academic scholars, and lay people, and has been studied and taught more times than we can count, with hundreds if not thousands of published commentaries. It plays a central role in all of our lives. One would think that by now we would have a pretty clear idea of what content from Tanakh should be taught and how it should be approached pedagogically at various age levels. And yet, a mountain of anecdotal evidence reveals that there is a huge range in what is taught, why it is taught, and how it is taught.

In our ongoing quest to enhance Tanakh education, we’ve developed a fresh approach that energizes both teachers and students while promoting diverse interpretations, critical thinking, and collaborative learning. Inspired by Edward de Bono’s Six Thinking Hats, this method encourages learners to view Tanakh texts from multiple perspectives, offering deeper understanding and fostering connections between foundational Jewish texts and modern life. The Tanakh Meaning Making Hats (TMM Hats) approach equips students with various interpretive tools to explore familiar perspectives and discover new ones, building understanding through both familiar and novel frameworks. This method, grounded in constructivist learning theory, enables students to construct knowledge actively, allowing them to examine texts from varied angles.

In the realm of Tanakh education, there is a tendency to focus on the consumption of Torah knowledge, where students engage in the study, understanding, and analysis of sacred texts. While amassing a critical base of knowledge is undeniably essential, I believe that shifting from students-as-consumers to students-as-producers—in which students not only absorb the teachings but also create and contribute their own interpretations and insights that can be shared publicly—is equally essential. How can we teach students to produce a deep analysis of Torah and not just consume others’ commentary? How do we encourage students to think for themselves while teaching other valuable lessons in the process?

What I observed one day in my visit to an English Language Arts (ELA) classroom last year opened my mind to completely new ways of teaching Tanakh, leading to greater student engagement.I work at a pluralistic elementary school that emphasizes growth mindset and continued development for each educator. One specific policy that helps educators learn from each other is the requirement to visit at least two other classrooms every semester. This routine fosters a genuine culture of professional growth, where teachers share ideas, observe varied teaching methods, and offer constructive feedback. I’ve always found these observations beneficial, but one visit left a lasting impact on my approach to teaching Tanakh. Stepping into Mrs. Michelle Petrova’s 6th grade ELA classroom, I was greeted with an incredibly vibrant atmosphere.

Much of the discussions we find about teaching Humash focus on the narrative portions—Genesis, the story of the Exodus, the wanderings in the wilderness. To a large extent that makes sense, as they provide students with their origin stories—so critical for building the foundations of identity—and are inherently interesting, as stories tend to be. That being said, there is another half of the Torah, whose nature is primarily legal. While some skip it intentionally or somehow “don’t get around to it,” for others it is no less important to teach, even though the content often doesn’t lend itself easily to grab and hold the students’ attention. As with any teaching, we must first identify what we want to achieve before we can think about how we want to do it.