Jewish Education Amidst Rising Antisemitism  volume 22:2 Winter 2024

Educating for Faith Through the Arts

by | Oct 18, 2026 | Educating Towards Faith (Fall 2026) | 0 comments

When I learned to paint, my father told me to pay attention to light and shadows, there is something spiritual, otherworldly, but also recognizable, in captured light. Like in Rembrandt. Maybe he had read once that Rav Kook suggested that Rembrandt was blessed with a vision of the holy light secreted away at creation.

I never asked him, as he died when I was 14 and most of my questions came later. I wanted to believe in a rational world, yet met a world that didn’t make sense but allowed us to trust in ourselves and our own rationality. Where did God and religion fit in there? At moments in my young adulthood when faith seemed far, I would sometimes find glimmers of it in visual aesthetic experiences; the light of the Shabbat candles and the moments when the sun slips away.

I believe that the arts can provide a medium and create a space for faith to be taught and to emerge. Both the arts and faith are affective, expressive, abstract. Sometimes words are insufficient. The most important ideas struggle against articulation, and art provides space for them. Faith can create its own language and increased faithfulness, like artistic endeavors, is at once reason, cause, outcome, and medium.

To quote the artist Tal R. in the 2026 Swedish exhibit The Elephant in the Room,

Art exists as a possibility in every person. It also gives us an opportunity to love something we don’t understand, something we have no language for. That is something we should treasure deeply today.

There are many ways to incorporate art into the classroom and different art mediums will speak to different students, and to different educators, who must also be able to connect with the medium they are engaging with.

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We can expose students to art, guiding them to analyze, understand, appreciate, and find personal meaning in a piece. Students can create expressive, process-oriented works that focus on the abstract language and symbolism of their inner worlds; art without strict instructions that are not outcome focused or bound by realism and boundaries. With both experiences, students can be invited to share and discuss. In this way, students find language and meaning common to their own internal worlds, much as faith invites us into a community of the faithful while asking us to participate with our inner selves. Art in this sense also functions as a transitional space, as described by Winnicott, a place that both reflects our inner worlds and exists in a shared reality, a “potential space” between the subjective and objective.

Visual arts, music, poetry and verse can all contribute this language, feeling, and shared abstraction. Students can be inspired by the works of contemporary Jewish artists working with relevant themes, such as the Spotify song collection of Hebrew songs called “Pop Emuni” literally, Faith Pop, the works of Kabbalah inspired visual artists such as Avraham Loewenthal, and the poems of the Az Nashir collection (2024-2026). But students can also be helped to find language to discuss other abstract or symbolic art, and to learn to relate to and approach it with curiosity and respect for its internal symbols and subjectiveness. What can Marcel Duchamp’s readymades tell us about an object’s context in halakha (Jewish law), and what feelings come to mind when meditating on Mark Rothko’s color fields? Instrumental music, all kinds of poetry and prose, and visual arts especially from modern to contemporary, can serve as a faith playground, one that can require some orientation for students to become comfortable in.

Visual arts serve as abstract communications, illustrate ideas, and provide an affective and alternative mode of connecting to otherwise word-driven material and ideas. Listening to music can set a mood, and help to transform cognitive and intellectual processing into affective and abstract. Music is also a uniquely powerful group activity and creates a shared space. In Jewish texts, our most important truths are transmitted through story and poetic verse.

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Opportunities for creative expression let students connect with their inner self and reaffirm their belief in themselves and in the Divine. Expressive artmaking does not depend on cognitive processes and binaries; its abstract and self-affirmative power makes space for deeper truths beyond proofs and logic. It also validates the creator, transforming young students into artists who can make a mark on their worlds. The artists can be invited to share a title to their piece or point to where they might be within their own creation or another’s.

Jewish educators might wish to consider whether an artist needs to reflect our intended values, and the answer will likely vary depending on the school’s outlook. Another important area of consideration is possible harm in equalizing subjective affect and objectivity. Using artistic, affective, personal, and creative modalities has the promise of offering students a felt, personal, and authentic connection to the idea of faith. It is a non-authoritative posture. I cannot tell someone else what they see, feel, and experience, and I can listen and learn from what they tell me about their felt experiences. In this way it reflects the faith relationship: God meets us. In Jewish tradition, the human and the Divine can build a relationship. However, I believe there is great benefit to students learning to respect truth and wisdom as also external and inherited in texts and traditions. I believe that the arts can be used to help our students encounter something universal and greater than themselves. There is also the danger in encouraging our students to only meet themselves. In our inner selves we can meet the Divine but we can also, in blunt practice, encourage a selfishness that is entirely alien to Jewish practice and belief. Faith requires emotion and attachment, but at the same time, knowledge that we are each a part of something much bigger.

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Esther Amster serves as Rebbetzin in Stockholm, and teaches children and adults, as well as middle school Hebrew in a Jewish profile program within a public school. She has a master’s degree in Art Therapy from School of Visual Arts (NY), studio art education from the Art Students League and School of Visual Arts, and certification in Child Parent Psychotherapy from the Shiluv Institute (Jerusalem).

From The Editor: Fall 2026

From The Editor: Fall 2026

For part of the time that I was studying for my semikha I had a roommate whom I admired for his faith. It was pure, simple, genuine, rock solid. My friend never seemed to question, to waver. I sometimes challenged him, but he was unfazed. I often wished that some of that would rub off on me. Nope. He remained steadfast; I remained struggling.

The Courage to Ask

The Courage to Ask

An eleventh grader this year wrote about her faith in the wake of October 7th:

In the weeks following…, I found it challenging to believe in a G-d that could allow such horrors to be done to humans, especially His chosen people…. I found myself wondering, “How could a merciful G-d put us in this world knowing the immense suffering that would ensue?” He is supposed to be looking out for us and protecting us…Eventually, my doubts started spreading into other areas of my life. Brachot lost their meaning, teffilot seemed to have lost their power, and motivation for some mitzvot completely disappeared. My day-to-day life lost its “light” without the meaning or motivation to guide me through my days.

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Creating the Conditions for Faith: Emunah as Encounter, Not Instruction

Every summer my paternal grandmother, a devout Orthodox Jew from the Bronx, took me on holiday to the beaches of Far Rockaway. On Shabbat morning we would stroll just two blocks from our breezy apartment to the synagogue steps—though it was less a walk than a journey to another place and time. Modeled after the grand edifices of Europe, the sanctuary was physically stunning: soaring, cathedral-like ceilings, colorful stained-glass windows, the women’s balcony above, the men’s section below. The service was scheduled to begin at nine, but on this Shabbat we arrived a full hour early. Sitting together in the silence, alone in the large empty hall, I asked her why we had come so soon.

In God We Trust: Teaching Bitahon

In God We Trust: Teaching Bitahon

In the immediate wake of October 7, 2023, the instinct of many Jewish educators worldwide was clear: we needed to teach hope. Many of us clung to the timeless words of Rabbi Jonathan Sacks: “It is not too much to say that Jews kept hope alive, and hope kept the Jewish people alive.” Hope was our life-support system and one of the messages of every piece of Torah I subsequently taught.

What I Do Matters: Educating for Avodat Hashem

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When Jewish educators in the modern West discuss “educating for faith,” we may unconsciously import a framework that does not quite fit our tradition. The dominant model in the broader cultural conversation, shaped largely by Protestantism, understands religious faith primarily as a personal relationship with the Divine: belief in God’s existence and love, and the cultivation of trust in and intimacy with a personal God. This is a coherent and meaningful vision, and in fact, we have much to learn from our Protestant colleagues. But this is not the most distinctively Jewish one.

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From “What” to “So What”: Educating for Emunah Through Culture, Curriculum, Relationships, and Questions

We begin with a firm belief that each student has a neshamah—a soul, a divine spark—and with it an inherent capacity for emunah, or faith. Our task is not to try to create something new for them. It is to awaken and strengthen that inheritance, to reveal what is theirs already and to help students make it personally their own.

For us, the goal of Jewish education is to have Jewish identity expressed in thought and action. That identity is grounded in an awareness of God (Hashem), a personal relationship with God, and responsibility toward other people. This is not one objective among many; it is the mission of our school.

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The Prophet as Rebel: Finding Faith in the Emotional-Psychological Classroom

I stepped into the classroom mid-year as both the homeroom and Tanakh teacher for a group of six 9th graders at an Israeli emotional-psychological school. These were students for whom the traditional educational system had often been a site of failure rather than growth. Most struggled with Oppositional Defiant Disorder (ODD) or had other neurodivergent challenges. Most were “talkers”—highly intelligent, deeply critical of systems, and, with one exception, entirely non-religious.

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A student walks out of twelve years of intensive Judaic studies. She has learned Humash with Rashi, sat through years of Talmud, and taken courses in Jewish thought. But ask her, some years later, what shaped her relationship with Torah and with God, and the answer does not usually start with a class. Instead, it starts with the memory of a teacher who treated her with care during a hard stretch, an administrator whose handling of a particularly charged moment stood out, or the way that faculty members handled disagreements and differences of opinion amongst themselves and with students.

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It is often said that Judaism is a religion of deed, not creed. In Jewish day schools, that distinction is often taken one step further. Schools teach texts, practices, language, and history, but often hesitate to name faith as an educational goal. In pluralistic settings in particular, educators are wary of imposing theology or defining belief.

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Three years ago, I launched what is now the Sloan Scholars Program, an enrichment program rooted in our Modern Orthodox mission to integrate rigorous Torah study with the best of worldly knowledge. Through seminars, readings, guest speakers, cultural outings, and independent research, students explore enduring questions at the intersection of Torah and modernity. Over time, however, I noticed that many of the questions students most wanted to investigate were not merely intellectual; they were existential. Students asked why Jewish traditions developed as they did, how halakha should respond to contemporary challenges, and, perhaps most fundamentally, how a Modern Orthodox Jew should live in a complex modern world.

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In my role as board president, and as a parent of both graduates and current students, I frequently receive feedback from parents, staff, and administrators about the state of the school. Some of the most impassioned conversations revolve around the question of how schools can help students deepen their faith. Few, however, are able to articulate precisely what this means. For some, faith grounds and manifests itself in resilience. For others, it is a spiritual attachment expressed through greater religious observance, prayer, or ritual practice. Faced with this ambiguity, schools often attempt a little of everything. They expand informal programming, encourage visible religious behavior, and offer courses in Jewish philosophy. Yet these well-intentioned efforts are often premised on the assumption that faith is a discrete educational outcome.

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Faith is one example of a “non-testable” priority that Jewish day schools have. In a recent article for 18Forty, Hillel Rapp identifies inspiration as one of the four pillars of Jewish high school. If educating for inspiration, or faith, is as important as academic learning, it is actually essential for schools to find some way to assess and report on the progress, at the time that it’s happening. Otherwise, we run the risk of telling students that this is a core part of our purpose, while showing them that we actually only care about math and science. To be sure, I am not suggesting that we give students a grade on faith. Instead, we need to get back to the core of the purpose of assessment and then use that information to set goals for future growth.

Doubt as a Catalyst for Faith

Doubt as a Catalyst for Faith

Jewish day schools today educate students in a cultural environment shaped by distraction, rapid information flow, and exposure to competing value systems. For many students, religious language and practice can feel inherited rather than chosen, and belief can appear fragile or performative. In this context, the central challenge for Jewish education is not simply how to transmit faith, but how to cultivate a form of faith that is resilient, reflective, and capable of growth.

I submit that faith in K-12 Jewish education does not develop primarily through doctrinal instruction or rote assent. Instead, it emerges through lived experience, responsibility, and structured encounters with doubt. Rather than treating doubt as a threat, Jewish education can frame it as a catalyst for deeper commitment.

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Personal Pathways to Emunah for a Diverse Student Body

AllIssuesJournalCreditsLinoy Even-Kesef is a Judaic Studies and Hebrew educator at Oakland Hebrew Day School (California). She is also engaged in research and writing on Jewish education, Hebrew language instruction, spirituality, and values-based learning. Dr....

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Introduction Jewish educators need to make a radical shift in how we teach both children and adults about the Divine. Educators must be empowered to discuss God openly and often, ensuring that students’ spiritual identities evolve alongside their intellectual development. I learned about this from speaking to my congregants—highly intelligent professors and professionals—yet most had not revisited their concepts of the Divine since their Benai Mitzvah at age 13. This raised critical pedagogical and spiritual questions for me. How do individuals become spiritually stuck? How do we facilitate spiritual growth? How do people become spiritually stagnant? How do we as Jewish educators prevent our current Benai Mitzvah from becoming not only stuck in their 13-year-old theology, but also

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Every teacher wants to make a difference in their students’ lives, and educating for faith involves relationship building. Jewish faith is founded on an individual’s relationship with God, the Land of Israel, Torah, and the Jewish People. Teachers who want to help students build their faith need to build relationships with their students which support, but do not supplant, the students’ relationships with the foundations of Jewish faith. Similar to the approach used to guide skill development in academic, behavioral, and social-emotional learning, where modeling, direct instruction, or coaching techniques may be effective, the teacher needs to step aside at the appropriate juncture to encourage independence. Emulation of role models can be a useful first stage, but mimicry that does not advance beyond imitation may impede authentic religious growth and development.

Developing Wholeheartedness

Developing Wholeheartedness

In the introduction to his 11th century book Duties of the Heart, R. Bahya Ibn Pakuda poses a question that Jewish educators continue to struggle with today. Bahya asks why he cannot find any source in rabbinic texts that describes the inner life of the Jew. He knows there are mitzvot to learn and perform, he knows that there are intellectual concepts to attain and reason with but where are, what he calls, “The Duties of the Heart?” The book that he writes, one of the most popular Jewish books for 1000 years, starts to enumerate these Duties and weighs them alongside the mitzvot and de’ot, what he identifies as the “Duties of the Limbs.”

Caring For Our Students & Ourselves In The Face Of Antisemitism

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