It was déjà vu all over again.
Once again, I was hired by a still-under-construction museum, with great plans years in the making. But one difference in this project was significant: instead of an entirely new museum and exhibit being created from scratch, this was a redesign and relocation of a museum with a thirty-plus year history, an institution with an extensive collection of Holocaust-era artifacts and archives. Instead of working with newly donated objects, many with their provenance lost with the demise of their original owners, I was immersed in a world of historical objects and powerful histories that had been generously given and cared for over the decades.








